Thursday, March 31, 2011

Buhay na Titik: Copyright, Hadlang o Tulong sa Pagiging Malikhain?

ni Alvin J. Buenaventura ng FILCOLS


Copyright, Hadlang o Tulong sa Pagiging Malikhain?


“Dapat barilin sa ulo ang copyright.”

Ito ang mariing pahayag ng tagapagsalita sa isang forum na dinaluhan ko kamakailan. Ayon sa tagapagsalita, na guro sa isang pamantasan sa Maynila, ang copyright ay hadlang sa pagdami ng mga bagong likha kaya dapat lamang na tuluyan na itong isantabi at kitlin ang buhay.

Ikaw, ano sa palagay mo? Hadlang nga ba ang copyright sa creativity o pagiging malikhain o tulong sa paglabas ng mga bagong likha?

Mataas ang tingin sa mga malikhaing tao mula noon hanggang ngayon. Makikita at mararanasan ang creative output nila sa mga tula, awit, nobela, drowing, at eskultura. Dahil naiaangat ng likha ang isip at damdamin, itinuturing na genius ang mga malikhaing tao. Angat kasi sila sa pangkaraniwan.

Halimbawa, ang literotika o nobelang erotika ni Frida Mujer na “Mingaw” ay matatawag na likhang angat sa pangkaraniwan. Sa pamamagitan ng maiinit na sex scenes ay naipahayag ni Mujer ang kalagayan ng mga OFW. Maiinit ang aksiyon sa kama para malabanan ang lamig sa puso dahil sa pagkalayo sa sariling bayan at pamilya.

Nakuha natin ang salitang muse mula sa mga sinaunang Greek. Ang musa ay diyosa na nagbibigay-inspirasyon sa mga malikhaing tao. Kadalasan, ang creative output ay likha sa literatura at sining. Ang pinuno ng mga musa ay si Apollo na isa sa mga diyos sa Mt. Olympus. Ayon sa mga eskultura at painting, si Apollo ay laging may hawak na lira. Ang musa ang siyang nag-uudyok sa may hawak ng lira na lumikha ng musika.

Mula sa salitang musa ang salitang musika. Ang ibig sabihin ng musika ay ang sining ng mga musa. Mula rin sa salitang musa ang museum. Ang ibig sabihin naman nito ay lugar ng musa.

Nagpatugtog kaya si Mujer ng lira? Nakinig kaya siya sa musika? Bumisita kaya siya sa museum kaya’t na-inspire ng mga musa para maisulat ang “Mingaw?”

Ang copyright ay isang legal protection na ibinibigay sa mga awtor ng likhang scientific, literary, at artistic. Ibig sabihin ang awtor lamang ang may exclusive right o solong karapatan para magbigay-permiso sa sinumang nais gumamit o magparami ng kanyang akda.

Si Mujer lamang ang may kapangyarihang bigyang-permiso ang publisher na ilathala ang kanyang libro. Ang tanong: bakit nakalikha pa rin siya ng “Mingaw” kung hadlang ang copyright sa creativity?

Ang binibigyan ng copyright ay ang expression of ideas, hindi ang ideas o facts lamang. Ibig sabihin ang ideas tulad ng OFW, Korea, sex, love, college student, at iba pa ay puwedeng gamitin ng kahit na sinong awtor sa kanyang nobela o tula. Pero ang may copyright ay ang expression nito o kung papaano ito naisulat at nabigyang-buhay. Tulad na lang ng “Mingaw” ni Mujer.

Hindi naman ipinagbabawal ng copyright ang paggamit sa ideas. Lumilitaw pa ang husay ng awtor kapag pinaghahalo-halo niya ang mga sangkap na idea para makapagluto ng isang masarap at kakaibang putaheng nobela. Ang expression of ideas ang nagpapakita sa husay at pagkamalikhain ng awtor.

Ang batas na nagsasaad ng mga karapatan ng mga awtor ay ang Copyright Law na nakapaloob sa Intellectual Property Code of the Philippines. Nagkaroon ito ng epekto bilang batas noong 1998.

Kung totoong hadlang ang copyright sa pagkamalikhain, dapat ay simula pa noong 1998, wala nang mga bagong librong nailathala sa Filipinas.

Teka… bago ka magbigay ng iyong palagay, ako muna ulit.

Si Abdon Balde, Jr. ay civil engineer sa loob ng 33 taon bago naging nobelista at makata. Sa huling bilang ay nakapagsulat na siya ng sampung nobela kung saan ang tatlo ang tumanggap ng National Book Awards: “Mayong” (2003), “Calvary Road” (2004) at “Hunyango sa Bato” (2005). Kamakailan, nagsulat din siya ng bestseller na “60ZENS: Tips on Senior Citizenship” (2010).

Ang pinagsama-samang benta ng anim na libro ni Bob Ong noong 2008 ay lampas na sa 250,000 copies. Sa kasalukuyan ay nakakawalong libro na si Bob Ong. Ang mga libro ni Bob Ong ay binibili ng mga tao lalo na ng mga estudyante kahit na hindi ito required reading sa school. Ang pinakabagong nobela ni Bob Ong ay “Ang mga Kaibigan ni Mama Susan” (2010).

Si Miguel Syjuco ang unang Pinoy na nagwagi sa 2008 Man Asian Literary Prize para sa kanyang unang nobelang “Ilustrado.” Ang premyong tinanggap ni Syjuco dahil sa libro ay 100,000 US dollars o 4.3 million pesos.

Papaanong nakalikha ng bagong libro ang mga awtor na nabanggit, at kumita pa nga, kung hadlang lamang ang copyright sa pagiging malikhain? Ang palagay ko ay nagdadahilan lamang ang mga taong hindi makalikha. Kesyo may copyright, kesyo walang copyright, kesyo mainit, kesyo malamig at kung ano-ano pang dahilan. Kung talagang pagaganahin ang utak ay maaakit natin ang mga musa at magiging malikhain din tayo, may copyright man o wala.

Ito ang palagay ko. Ikaw, ano ang palagay mo?

Inaanyayahan ang mga awtor, publisher, o tagapagmana ng copyright na sumali sa FILCOLS. Ito’y para mabigyang-proteksiyon ang mga akda. Kailangan lamang ay mayroon kayong published works kung kayo ay awtor/publisher o nasa inyo ang kapangyarihang mag-manage nito kung heirs kayo ng author. Wala pong membership fee. Para sa mga tanong hinggil sa tinalakay na paksa, mag-email lamang sa filcols@gmail.com.

Friday, March 25, 2011

US EMBASSY REP AND HUNGARIAN COPYRIGHT EXPERT IN FILCOLS HUNTAHAN

This FILCOLS Huntahan will definitely be a different one. First, it’s gender-oriented and second, it will have a dash of international orientation because of the guest speakers.


Jenifer Neidhart de Ortiz, Jennie Ness and Dr. Mihaly Ficsor will be joining the
FILCOLS Huntahan para sa Manunulat na Kababaihan, an informal discussion on writing, publishing, intellectual property and copyright.



It will be held on 28 March 2011 from 1:00-4:00 pm at the Seminar Room, College of Social Work and Community Development, Magsaysay St., UP Diliman, Q.C.



Neidhart de Ortiz is the Trade and Investment Officer of the Economic Section of U.S. Embassy Manila while Dr. Mihaly Ficsor is the President of Hungarian Copyright Experts Council. He used to hold high level positions in the WIPO and UNESCO. He authored a number of books about Copyright, Copyright and the Internet, Collective Management and a lot more.



They will drop by and give a short talk on copyright and collective licensing in the international scene.



This event aims to encourage working together to address challenges in and outside the academe and to promote women writers’ rights in the country.




There is no registration fee and FILCOLS Huntahan para sa Manunulat na Kababaihan is open to all women writers ONLY.




Certificates will be given after the event. Please call, text or email: 7479250 local 401, 0919-3175708 / filcols@gmail.com.



FILCOLS Huntahan sessions were previously held in Naga, Cavite, Pangasinan, Mandaluyong and Quezon City. FILCOLS look forward to celebrating with all the women writers and researchers the Women's Month. This event is organized by FILCOLS and UP Center for Women's Studies headed by Dra. Sylvia Estrada-Claudio. Media partners are BusinessWorld and Herword.com who will be distributing their publications as freebies to all the participants.



FILCOLS receives support from the Norwegian Copyright Development Association (NORCODE) and Kopinor. NORCODE is an international copyright development group funded by five copyright societies namely KOPINOR, GRAMO, TONO, BONO and NORWACO. KOPINOR is the reproduction rights (RRO) of Norway while FILCOLS is the RRO of the Philippines.


Written by Beverly Siy.


This press release can be copied and posted anywhere as long as the author's byline is retained. Thank you.

Thursday, March 24, 2011

Writers, Artists and Manila Officials campaign against corruption on Balagtas Day

Makiisa sa "Pahayag: Panitikan Laban sa Korupsiyon," isang pagdiriwang para sa Araw ni Balagtas sa Abril 2, 2011. Pangungunahan ito ng mga makata ng Linangan sa Imahen, Retorika, at Anyo (LIRA) at Pambansang Alagad ng Sining sa Panitikan Virgilio S. Almario (a.k.a. Rio Alma), Samahang Sining at Kalinangan ng Pandacan (SSKP), at ng Pamahalaang Lungsod ng Maynila.



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Writers, Artists and Manila Officials campaign against corruption on Balagtas Day



The Linangan sa Imahen, Retorika, at Anyo (LIRA), the oldest active organization of poets in Filipino, and the Samahan ng Sining at Kalinangan ng Pandacan (SSKP), in cooperation with the Office of Manila Mayor Alfredo S. Lim will gather at the Balagtas Shrine, Pandacan, Manila on April 2, 2011, 7:00 A.M. to honor the country's premiere poet Francisco Balagtas on his 223rd birthday.



Dubbed “Pahayag: Panitikan Laban sa Korupsiyon,” the celebration will feature writers and artists staging a short play in honor of Francisco Balagtas and a "balagtasan," the traditional Filipino debate in verse, by Dr. Michael M. Coroza, Professor Vim Nadera, and the "Prince of Balagtasan," Teo T. Antonio. LIRA will also release a cultural manifesto against corruption in the government.



The highlight of the event will be the crowning of flowers on the statue of Balagtas by Mayor Lim and LIRA's founder and adviser, National Artist for Literature Virgilio S. Almario, a.k.a. the poet Rio Alma. The pair will be assisted by the Knights of the Columbus from the San Fernando De Dilao Parish.



To join, contact James Luigi Tana (0915-9765157), Rae Rival (0935-1673178), SSKP or the Artistic and Executive Director Jeph Ramos (0920-4210367).

FILCOLS HUNTAHAN media partners: BUSINESS WORLD ONLINE AND HERWORD.COM





FILCOLS Huntahan for Women Writers


You were browsing your most favorite magazine. And an article caught your attention. Simply because it was full of your own words written in your own style. There goes your boss’ name as the byline. Then you remember, she asked you to write a research about this topic ages ago. Does she have the right to publish it under her name?

You wrote a book. And you just broke up with your co-author, your emotionally unstable boyfriend. Suddenly he doesn’t want to share anything with you, even the copyright. Can he snatch it away from you?

These questions and more will be answered in FILCOLS Huntahan para sa Manunulat na Kababaihan. It is an informal discussion on writing, publishing, intellectual property and copyright. This session is specially designed for women writers and researchers. It will be held on 28 March 2011 from 1:00-4:00 pm at the Seminar Room, College of Social Work and Community Development, Magsaysay St., UP Diliman, Q.C.


This event aims to encourage working together to address challenges in and outside the academe and to promote women writers’ rights in the country.


There is no registration fee and FILCOLS Huntahan para sa Manunulat na Kababaihan is open to all women writers ONLY.


Pre-registration is required though for the preparation of the participants' certificates and light snacks. Please call, text or email: 7479250 local 401, 0919-3175708 / filcols@gmail.com. After pre-registering, visit filcols.blogspot.com to check if your name is already listed.

Those who are NOT SURE if they can attend on the said time and date are discouraged to pre-register. FILCOLS has limited resources. Thank you for your understanding.

FILCOLS Huntahan sessions were previously held in Naga, Cavite, Pangasinan, Mandaluyong and Quezon City. FILCOLS look forward to celebrating with all the women writers and researchers the Women's Month. This event is organized by FILCOLS and UP Center for Women's Studies headed by Dra. Sylvia Estrada-Claudio. Media partners are BusinessWorld and Herword.com who will be distributing their publications as freebies to all the participants.

FILCOLS receives support from the Norwegian Copyright Development Association (NORCODE) and Kopinor. NORCODE is an international copyright development group funded by five copyright societies namely KOPINOR, GRAMO, TONO, BONO and NORWACO. KOPINOR is the reproduction rights (RRO) of Norway while FILCOLS is the RRO of the Philippines.

written by Beverly Siy.

This press release can be copied and posted anywhere as long as the author's byline is retained. Thank you.

Buhay na Titik: Copyright bilang Human Right

ni Alvin Buenaventura ng FILCOLS


Copyright bilang Human Right


“Hindi mahalaga ang copyright dahil hindi naman ito nakakain,” sabi ng isang estudyanteng nakausap ko kamakailan.


Ang copyright ay isang salitang binuo ng mga legal expert para ipantawag sa proteksiyon na ibinibigay ng batas sa mga malikhaing tao sa ating lipunan. Binubuo ito ng isang bungkos ng mga karapatan na nakasaad sa Intellectual Property Code of the Philippines. Nakapaloob dito ang Copyright Law o ang batas ukol sa copyright.


Dahil madalas na napapalibutan ng batas at nagiging paksa lamang kapag may mga abogado sa paligid ang copyright, marami ang hindi maka-relate sa mga konsepto nito.
Tama ang estudyante! Hindi nakakain ang copyright. Pero mahalaga pa rin ito. Tulad ng maraming bagay na mahalaga kahit hindi naman nailalaman sa tiyan.


Ang copyright ay binigyang-halaga ng mga international agreement o document bilang kabungkos ng human rights. Ibig sabihin, hindi kumpleto ang listahan ng human rights kung wala ang karapatan ng mga malikhaing tao.


Maraming bansa ang pumirma para mapagtibay ang mga dokumentong ito. Dahil nagkaintindihan at nagkasundo ang mga lider sa international stage, pumayag silang ipatupad ang laman ng mga dokumento sa loob ng kani-kanilang mga bansa.


Isa ang Filipinas sa mga bansang pumirma sa Universal Declaration of Human Rights. Ito ay naganap noon pang 1951. At sumang-ayon din tayo sa International Covenant on Economic, Social and Cultural Rights na inilabas ng United Nations General Assembly noong 1966.


Sabi sa Artikulo 23.1 ng Universal Declaration of Human Rights, ang lahat ng tao ay may karapatang magtrabaho, may layang pumili ng trabahong gusto niya, magtrabaho sa isang makatarungan at maayos na lugar, at may proteksiyon mula sa pagkawala ng trabaho.


Ibig sabihin ang tao ay may karapatan (human right) na magtrabaho bilang manunulat, kompositor, pintor, manlililok, photographer, at iba pa kung gusto niya. Dahil may laya siyang pumili ng trabaho ayon sa hilig niya. May karapatan din siyang magtrabaho sa isang makatarungan at maayos na lugar, ligtas at may proteksiyon mula sa pagkawala ng trabaho.


Sabi naman sa Artikulo 23.3, may karapatang makatangap ng karampatang bayad mula sa kanyang trabaho ang kahit sinong tao. Para saan ito? Para sa kanyang sarili at para magkaroon siya ng kakayahang mabigyan ang kanyang pamilya ng buhay na disente at may dignidad.


Ibig sabihin, ang author o malikhaing tao na nagtatrabaho nang ayon sa kanyang hilig o talent ay dapat lang tumanggap ng sapat na kita mula sa kanyang isinulat, iginuhit, inililok, at iba pa. Kung libre o walang bayad, paano niya maitataguyod ang sarili at ang kanyang pamilya?


Sabi naman sa Artikulo 27.2, ang lahat ng bansang pumirma sa Universal Declaration of Human Rights ay gagawa ng batas na magbibigay-proteksiyon sa mga karapatang moral at materyal ng mga lumikha ng gawang siyentipiko, pampanitikan o pansining.


Kung ang Artikulo 23 ay para sa lahat ng naghahanapbuhay at ang karapatan (human right) nilang mabuhay nang may dignidad mula sa kanilang pagtatrabaho, ang Artikulo 27 ay direktang binanggit ang human right ng mga lumikha ng gawang siyentipiko, pampanitikan o pansining.


Ano naman ang mga artikulong may kinalaman sa mga author sa International Covenant on Economic, Social and Cultural Rights? Ito ay ang Artikulo 7 at Artikulo 15.c.

Sa Artikulo 7, nakasaad ang karapatan (human right) ng tao sa karampatang sahod mula sa trabaho. Malinaw rin dito na ang karampatang sahod o bayad ay para sa LAHAT ng nagtatrabaho. LAHAT. Walang etsapuwera. Hindi exempted ang mga author.


Kung ang mga janitor ay nakakatanggap ng sahod sa paglilinis, dapat ang guwardiya ay nakakatangap din ng sahod sa pagbabantay. Ang hindi pagbibigay ng karampatang bayad ay malinaw na violation of human right. Kilabutan kayo kung kayo lang ang kumikita at nabubuhay.


Binanggit din dito ang “equal pay for equal work” at ang halaga ng sapat na kita para mabigyan ang sarili at pamilya ng disenteng pamumuhay. Tandaan, hindi lamang kayo ang may tiyan at pamilya.


Sa Artikulo 15.c, malinaw naman ang obligasyon ng Filipinas na tutukan ang karapatan (human right) ng lahat ng authors ng mga gawang siyentipiko, pampanitikan o pansining na mabigyang-proteksiyon ang kanilang moral at materyal na interes.


Ang mga author ay may tiyan at pamilya rin. Nagbibigay sila ng mga gawang napapakinabangan ng lipunan. Kaya dapat lamang na makinabang din sila. Ika nga “equal pay for equal work.”


Hindi nga nakakain ang copyright pero marami ang nakakapamuhay nang may dignidad dahil sa mga likha tulad ng libro, musika, pelikula, at iba pa. Hindi nga nakakain ang copyright pero maraming pamilya (kasama na ang mga estudyante) ang nakakakain dahil sa mga trabahong umusbong dahil dito.


Inaanyayahan ang mga author, publisher o tagapagmana ng copyright na sumali sa FILCOLS. Ito'y para mabigyang-proteksiyon ang kanilang mga akda. Kailangan lamang ay mayroon kayong published works kung kayo ay author/publisher o nasa inyo ang kapangyarihang magmanage kung heirs kayo ng author. Wala pong membership fee. Kung may tanong hinggil sa tinalakay na paksa, mag-email lamang safilcols@gmail.com.

Wednesday, March 23, 2011

30th National Book Awards Open for Nominations

The National Book Development Board (NBDB) and the ManilaCritics Circle (MCC) are now accepting nominations for the 30th National Book Awards for books published in 2010.


NOMINATION/SELECTION CRITERIA

General Guidelines and Definitions

1.Book: A printed and bound volume. At this time, the awards do not cover electronic books. Textbooks or books with exercises meant for classroom use are not considered books for purposes of the awards.

2.Eligible Book: A book copyrighted and published in the Philippines in the calendar year immediately preceding the year of the award is eligible. Except for books authored by members of the MCC and the BOJ, there are no restrictions as regards authorship; authors may be Filipinos or non-Filipinos, individuals or groups, dead or alive. Books published earlier or in the same year outside the country but published independently by a Philippine publisher in the calendar year preceding the year of the award are also eligible.

3. Ineligible Book: A reprint of a book already considered during a previous award year, a second or later edition (even if revised or enlarged), a book with plagiarized passages, a book that infringes on copyright, a book by a publisher not duly registered with the NBDB, a book authored by an NBDB-appointed judge in the category s/he is judging, a book written by a National Artist for Literature, and any title authored by any member of the MCC are automatically disqualified from competing for the awards. Likewise, a book without an international serial book number (ISBN) is disqualified.

4.Nominated Book: A book may be nominated if it is better written and more significant than other books in its category. Writing includes mechanics or grammar, typographical errors, copy editing, structure of thought and ideas, and style. Significance includes original contribution to its field of study or interest, accuracy of data, and reader impact. The reputation of the publisher, distribution, and actual sales figures are irrelevant to the awards.

5.Design: Except for the award for Best Design, the design of a book is secondary to content in the selection of the finalists and winners, unless the design seriously hampers the delivery of the content.

6.Divisions: There shall be two divisions: Literary and Non-Literary with specific categories within each Division further described in these rules.

7. Publisher: A registered NBDB publisher, foundation or association or ongoing business engaged in publishing, developing and distributing printed material, or has published a book for a special purpose may nominate a book.

Small and independent publishers who are unable to register with the NBDB for lack of the required documents and/or ISBNs may still submit nominations to any of the categories in any of the divisions; however, they may only be awarded a citation and not the National Book Award.

Professional organizations and ongoing businesses that submit titles for consideration must also submit a copy of their SEC registration to the NBDB.




I. LITERARY DIVISION

1. Literary Categories

Literary Awards are given to books that include or are about creative writing. These include the following: Fiction, Nonfiction Prose, Poetry, Literary Criticism and Graphic Literature.
Regional Language – For this year’s awards, the NBDB and the MCC are now accepting works in Cebuano for any of the categories of the Literary Division. A nominated book can be a translation of a work, or originally written in the Cebuano language.
Books published in Cebuano within the last three calendar years (2008-2010) will be accepted for this year’s awards.

1.1. Fiction (Novel and Short Fiction) – a book that contains a full-length story (i.e., a novel) of at least 50,000 words, or a collection of two or more short stories, or stories not long enough to be novels.

A nominated book offers a narrative that follows the conventions of the writing of long literary fiction, such as plurisignification, logical structure, consistency of characterization, and precision in the use of language and literary devices. The book may deliberately challenge these conventions, but there should be clear evidence that the novelist has done so not out of ignorance but out of deep knowledge of the tradition of the novel.

A winning book both delights and instructs, offering breadth and depth comparable to the Philippine novels earlier given National Book Awards. If two or more books are tied for the award, the one that is better written in terms of literary quality is declared the winner.

Just in case there is a novel and a collection of stories competing for the award, and they are both deserving of the award, both will be given the National Book Award.



1.2. Nonfiction Prose– A full-length literary nonfictional work or collection of short literary nonfictional works, including personal essays, autobiographies, biographies, memoirs, and other genres included in the broad category of creative nonfiction.

If two or more books are tied for the award, the one that is better written in terms of literary quality is declared the winner.

Just in case there is a full length and a collection of essays competing for the award, and they are both deserving of the award, both will be given the National Book Award.

1.3. Literary Criticism / Literary History – a book that contains either a continuous work or several articles in the field of literary criticism, literary theory, or literary history.

A nominated book shows evidence of the author's having taken into account the latest books in literary theory, both local and foreign. The book must apply tools derived from contemporary theory to texts created by Philippine writers, though it could also contain analyses of works by non-Philippine writers.

A winning book is at the cutting-edge of literary theory, criticism, or history, exploring new areas of scholarship or reading that goes beyond what is already available in academic circles. If two or more books are tied for the award, the one that offers a new literary theory or a new component of an existing literary theory or that presents a new reading of texts is declared the winner.

1.4. Poetry – a book that contains either a continuous poem or several poems.

A nominated book offers poems that follow the conventions of poetry, whether of traditional, modern, or avant-garde poetry, including but not limited to the interaction of sound and sense, profound sensibility, and awareness of poetic genres.

A winning book offers fresh insights into the human condition, particularly the condition of Filipinos inside or outside the country.

1.5. Graphic Literature – a book that contains autobiography, creative nonfiction, fiction, or other literary genre, but in graphic or illustrated, rather than purely verbal form.

A nominated book offers a narrative or anthology of narratives that follows the conventions of the writing of literary graphic fiction, such as congruence of verbal and illustrated content, logical structure, consistency of characterization, and precision in the use of visual and literary devices.

A winning book both delights and instructs, offering breadth and depth comparable to the Philippine graphic novels, anthologies, or comic books earlier given National Book Awards. If the book is a collection of separate texts, there should be a unifying theme or motif among these texts. If two or more books are tied for the award, the one that is better written in terms of literary quality is declared the winner.

2. Nomination

Any publisher defined in the General Guidelines and Definitions registered with the National Book Development Board (NBDB) may nominate a literary title as defined above, published in the previous year (except for those books published in Cebuano), by sending a letter of nomination and by submitting an initial six (6) copies of that title for consideration of a chosen literary organization in the above categories, in English, Filipino, or any other language. The publisher must clearly state in the letter of nomination under which category he wants his title considered.

The 6 initial copies shall go to the following:
a. each member of the Prescreening Committee;
b. the NBDB library; and
c. the NBDB-chosen design outfit/book designer.

3. Prescreening Committee

There will be four (4) persons who shall be designated to prescreen the nominated books in the whole Literary Division, who shall be:

3.1 A nominee from a literary organization or a person who is an expert in the field -The NBDB shall select a literary organization, which shall be asked to nominate one (1) member to serve in the prescreening committee of the NBA, or a known expert in the field to prescreen the nominations. In the case of a literary organization, it shall be given five (5) days from receipt of the letter asking them to nominate a member, after which the NBDB reserves the right to select another literary organization;

3.2 A nominee of the NBDB- The NBDB shall nominate one (1) person of competent expertise, who shall also be the NBDB’s permanent judge for this division; and

3.3. Two members of the MCC- The MCC shall elect two (2) members from its ranks to be part of the prescreening committee, who shall not necessarily be the same members of the prescreening committee in the other division but must be part of the BOJ.

Prescreening of books in Cebuano-The NBDB and the MCC shall nominate one (1) judge each who shall prescreen all the books in all the categories for the Literary Division. These judges must also necessarily be part of the BOJ for the Literary Division.
They shall choose no more than five (5) finalists for each category which shall be elevated to the BOJ.
The Prescreening Committee shall choose no more than five (5) nominees by a majority vote to become finalists, which titles shall be elevated to the BOJ for the final determination of the winner.

All meetings by the Prescreening Committee shall be scheduled beforehand by the NBDB and shall be documented by a member of the NBDB Secretariat.


4. Finalists

The Prescreening Committee shall select no more than five (5) titles per category, which 5 titles shall automatically be considered finalists from which a winner for that particular category shall be chosen. The choice of finalists by the Prescreening Committee shall be by majority vote of the members of the Prescreening Committee, and all decisions of the Prescreening Committee shall be final.


5. Notice to Finalists

Publishers of titles chosen as finalists by the Prescreening Committee shall be informed in writing by the NBDB that their titles have been chosen as finalists in the specific categories indicated, and shall be required to submit an additional five (5) copies of the books to the NBDB. Non-submission of the required copies will disqualify the title from consideration by the BOJ.

The NBDB shall inform the BOJ no later than August 15, 2011, that the books to be the subject of final judging are ready for pick up at the NBDB office.


II. Non-Literary Division

1. Non-Literary Categories

Non-Literary Awards are given to books that do not include nor are about creative writing, except that such creative writing techniques may be used occasionally to enhance the text.

1.1. Art – a book that focuses on any of the art forms (including photography, film, and television), except literature. A collection of essays on art by a single author or by several authors, provided the essays are not primarily literary or creative, is classified under this category. For purposes of the awards, photojournalism is considered an art form.

A nominated book offers fresh and original insights into the work/s of a visual, performing, electronic, or other type of artist/s. If the book is a collection of separate texts, each text must have the characteristic listed above. A book featuring mostly photographs of artworks may be nominated if the prose portion is substantial.

A winning book is itself a work of art, blending design with content, style with the style of the artist/s discussed. If two or more books are tied for the award, the one that offers a more comprehensive account of the body of work of an artist or artists is declared the winner.

1.2. Professions - a book that focuses on law, medicine, accounting, engineering, or other professions requiring licensure examinations, and the application of these professions to daily life.

A nominated book is meant primarily for the general reading public and not for other professionals (such as lawyers, law students, doctors, medical students, engineers, and so on). It must offer accurate and useful advice based on existing laws, medical knowledge, or other professional practice. It must be well-written in terms of style, with a readability level as high or lower than that of educated non-professionals. If the book is a collection of separate texts, each text must have the characteristics listed above.

A winning book is a full-length text that does not falter in places but keeps a consistent tone. If two or more books are tied for the award, the one that focuses on lesser known aspects of the profession is declared the winner.

1.3. Science – a book in the area of any of the natural or physical sciences.

A nominated book is meant primarily for the general reading public and not for scientists or science students. It must be well-written in terms of style, with a readability level as high or lower than that of educated adults without science degrees. If the book is a collection of separate texts, each text must have the characteristics listed above.

A winning book is a full-length text that does not falter in places but keeps a consistent tone. If two or more books are tied for the award, the one that focuses on lesser known aspects of science is declared the winner.

1.4. Social Sciences – a book in the area of any of the social sciences, including history, religious studies, and interdisciplinary studies.

A nominated book offers a fresh and original insight into its subject, in an expository style that displays correct and precise use of language, accuracy of data, extensiveness of research, and awareness of audience impact. If the book is a collection of separate texts, each text must have the characteristics listed above.

A winning book is a full-length text that does not falter in places but keeps a consistent tone. If two or more books are tied for the award, the one that focuses on less explored aspects of the social sciences is declared the winner.

1.5. Leisure – a book about travel, tourism, sports, sports management, food, fashion and other such areas.

A nominated book offers a fresh and original insight into its subject, in an expository style that displays correct and precise use of language, accuracy of data, extensiveness of research, and awareness of audience impact. If the book is a collection of separate texts, each text must have the characteristics listed above. A book featuring mostly photographs may be nominated if the prose portion is substantial.

A winning book is a full-length text that does not falter in places but keeps a consistent tone. If two or more books are tied for the award, the one that inspires more readers to take up a leisure activity or that offers newer or more information on leisure activity matters is declared the winner.


2. Nomination

Any publisher as defined in the Guidelines and Definitions may nominate a title published in the previous year, by submitting a letter of nomination for the above categories. Publisher who nominates their titles must also submit six (6) initial copies of that title for consideration of the judges. The publisher must clearly state in the letter of nomination under which category he wants his title considered.

Submissions by university departments must contain the signature of the head of the department, or an authorized department representative as designated by the dean of the college or the university president.

The 6 copies shall go to the following:
a. Each member of the Prescreening Committee;
b. The NBDB library; and
c. the NBDB-chosen design outfit or book designer.


3. Prescreening Committee

There will be four (4) persons who shall be designated to prescreen the nominated books in the whole Non-Literary Division, who shall be:

3.1 A nominee from a non-literary organization selected by the NBDB-The NBDB shall select a professional organization, university department, or an an expert from the specific field to be part of the prescreening committee. In case of a professional organization or university department, it shall be asked to nominate one (1) member to serve in the prescreening committee of the NBA. The chosen professional organization or university department shall be given five (5) days from receipt of the letter asking them to nominate a member, after which the NBDB reserves the right to select another professional organization, university department, or an individual who is a known expert in the field;

3.2 A nominee of the NBDB- The NBDB shall nominate one (1) person of competent expertise, who shall also be the NBDB’s permanent judge for this division; and

3.3. Two members of the MCC- The MCC shall elect two (2) members from its ranks to be part of the prescreening committee, who shall not necessarily be the same members of the prescreening committee in the other division.

The Prescreening Committee shall choose no more than five (5) nominees by a majority vote to become finalists, which titles shall be elevated to the BOJ for consideration.

All meetings by the Prescreening Committee shall be scheduled beforehand by the NBDB and shall be documented by a member of the NBDB Secretariat.


III. Design

1. Design – the overall design of a book, including but not limited to the cover design, the choice of typefaces, the dimensions of the page, the lay-out, the type of paper, the binding, and the printing.

1.1. The award for Best Design is not intended to be limited to coffee table books; an inexpensive book without pictures or illustrations can be better designed than an expensive one with pictures or illustrations.

1.2. A nominated book combines all the elements of design into a coherent whole, supplementing but not supplanting the content of the book.

1.3. A winning book entices the reader to read the contents carefully while admiring the way the book looks. If two or more books are tied for the award, the one that offers a more innovative way to use the elements of design is declared the winner.

2. Prescreening by NBDB-chosen Design Outfit/Book Designer

All nominations shall be eligible for this category, the finalists of which shall be chosen by the nominee of the NBDB-chosen design outfit or book designer, who shall choose no more than five (5) finalists for the Best Book in Design. The nominee of the NBDB-chosen design outfit shall automatically be part of the BOJ for this category.


The Board of Judges

1. Composition

Every year, each Division of the National Book Awards shall be composed of a Board of Judges (BOJ) composed of:

Five (5) members of the Manila Critics Circle (MCC) to be designated by the MCC, two of whom shall be the members of the Prescreening Committee of each division; and

Two (2) judges nominated by the National Book Development Board (NBDB), each of whom shall be the NBDB-nominated members of the Prescreening Committee for each Division, who shall also be designated as the NBDB’s permanent judge in the BOJ for a particular division.

The MCC may designate among themselves the member of the BOJ for each category of both the literary and non-literary divisions; however, the MCC-designated members of the Prescreening Committee shall always be part of the BOJ for the particular divisions they screened.

The NBDB reserves the right to nominate a different judge for each category within any division, depending on the expertise of the chosen judge, who may or may not be the same judge nominated by the NBDB-chosen prescreening organization.

Books of members of the MCC and the NBDB-appointed member of the Prescreening Committee are disqualified from winning any award for any category in any division. Likewise, the books of the NBDB-chosen prescreening organization’s nominee shall be disqualified for the category s/he is judging.

2. Voting

Each member of the BOJ is entitled to one (1) vote. A vote must be explained verbally during the voting process, taking into consideration factors that determine the quality of the title. A title in all categories of both divisions must be voted upon by the majority of the BOJ to win. All decisions of the BOJ are final.

3. Meetings

Meetings of the BOJ shall be held at the NBDB Conference Room or at any designated place agreed upon beforehand by the members of the BOJ with the agreement of the NBDB.

Minutes of every meeting by the BOJ shall be taken by a member of the NBDB Secretariat, who shall keep the minutes in a confidential file within the premises of the NBDB.

4. Deadline for Winners

A winner for each category must be determined by October 30, 2011. The winner of each category, except Publisher of the Year, will receive a cash prize of Fifteen Thousand Pesos (P15,000.00), which will be awarded to the author or book designer, as the case may be, and not to the publisher. Citations do not win cash prizes.

There will be Special Awards; such as Juan C. Laya Prize, Alfonso T. Ongpin Prize, Bangko Sentral ng Pilipinas Prize, and Isagani R. Cruz Prize, which will be chosen from among the winners of the National Book Awards.

Please address submissions to:

The Executive Director
c/o the Accreditation and Incentives Division
National Book Development Board
2/F National Printing Office Building
EDSA corner NIA Northside Road
Diliman, Quezon City 1100

The deadline for submissions is on April 30, 2011. Books mailed from outside Manila shall be accepted if the copies and forms are postmarked April 30, 2011.

Updated List of FILCOLS Members

Name/Company
Abad, Gemino H.
Abrahan, Gian Carlo C.
Abuan, Mariane Amor T.
Abueg, Efren R.
Acabado, Brian B.
Agapito, Josephine D.
Aguay, Jr., Bernardo O.
Alarde, Crispulo
Alcantara, Ruby G.
Almario, Virgilio S.
Almonte, Napoleon G.
Alvarez, Crizzalyn
Amante, Louise Vincent B.
Anima, Nid A.
Anlim, Jaime L.
Antonio, Teo T.
Añonuevo, Rebecca T.
Añonuevo, Roberto T.
Arguelles, Mesandel V.
Asuncion, Ruperta (heirs)
Atalia, Eros S.
Atilano, Ronald A.
Bacudio, Ana Maria A.
Balde, Abdon M. Jr.
Baquiran, Romulo P.
Barcelona, Noel Sales
Barco, Nestor S.
Bautista, Lualhati T.
Beltran, Andy C.
Beltran, Maria Rona B.
Bengco, Grace P.
Bolasco, Karina A.
Bonifacio, Amelia L.
Boquiren, Rommel Chester G.
Bumadilla, Sergio A.
Bustamante, Marchiesal B.
Cabote, Diana G.
Caleon, Bay-Viz Grace T.
Camba, Moreal N.
Capili, Jose Wendell
Carcamo, Ronaldo L.
Carpio, Rustica C.
Casanova, Arthur
Catanyag, Teofilo M.
Chancoco, Jose Jason L.
Choon, James Teng
Constantino, Anna Veronica L.
Cordero, Kristian S.
Coroza, Michael M.
Cristobal, Jr., Adrian
Cristobal, Sr., Adrian E.
Cristobal, Celina S.
Crizaldo, Hazel Joy P.
Cruz, Isagani R.
Cruz, Jhoanna Lynn B.
Cutab, Leonil Fernando R.
Dabao, Vicente V.
Dalisay, Jose Jr. Y.
De Peralta, Honeylein C.
Dela Cruz, Ainne Frances F.
Dela Cruz, Rita T.
Delos Reyes, Joselito D.
De los Reyes, Dong A.
De Ungria, Ricardo
Diokno, Ferdinand
Dudang, Elnora B.
Dumlao, Emmanuel V.
Edilo, Genaro Perfecto C.
Enrique, Delia C.
Estrada, Virginia O.
Evasco, Marjorie
Fajilan, Wennielyn F.
Fernandez, Erwin S.
Catalina, Felicitas L.
Festin, Rowena P.
Flores, Jr., Angelito G.
Fortun, Noel T.
Funilas, Raul
Galan, Ralph S.
Galos, Reparado III B.
Garlitos, Raymund M.
Geminiano, Melody G.
Gonzales, Danilo V.
Gracio, Jerry B.
Grajo, Jeanette P.
Grego, Frank
Grutas, Sarah Jean B.
Guerrero, Amadis Ma.
Guevara, Nerisa
Hidalgo, Cristina Pantoja
Jocson, Schedar D.
Jurado III, Jose I.
Jurado, Linda A.
Kilates, Marne
Kimpo, Phillip Jr
Kintanar, Thelma B.
Lacaba, Kris L.
Lareza, Erwin
Lim, Ronald Jeffrey S.
Limpin, Vivian N.
Lumbera, Bienvenido
Madrilejos, Alberto Manalon
Maramba, Asuncion David
Miclat, Alma C.
Miclat, Mario I.
Molina, Russel L.
Munsayac, Jose R.
Muyargas, Jose George E.
Na, James Teng Choon
Naval, Jimmuel C.
Nierva, Victor Dennis T.
Nieto, Deborah Rosalind
Nuncio, Elizabeth Morales
Nuncio, Rhoderick
Ong, Charlson L.
Ordoñez, Elmer
Panlilio, Erlinda E.
Parcero, Placido Jr. R.
Pasion-Flores, Andrea D.
Paterno, Maria Elena P.
Patindol, Jean Lee C.
Payongayong, Joahnna Carla A.
Pena, Romeo P.
Perez, Edward
Petras, Jayson D.
Pichay, Nicolas B.
Pineda, Haidee
Ramos, Windsor Roland M.
Regacho, Corazon F.
Reyes, Pedro (Jun) C.
Rivera, Frank G.
Rodriguez, Rufus B.
Rojo, Sergio, Jr.
Salanga, Elyrah
Salud, Joel Pablo
Salvador, Mary Anne Jimenez
Samar, Edgar C.
Sanchez, Louie Jon A.
Santillan, Renato Rosario
Santos, Benilda S.
Sarigumba, Cherilyn
Sebullen, Isabel D.
Siy, Beverly W.
Socorro, Alexander J.
Sunico, Ramon C.
Sy, Joaquin
Teodoro, John Iremil E.
Toledo, Joel M.
Tolentino, Delfin Jr. L.
Torralba, John Enrico C.
Torre, Ricky S.
Uy-Regala, Betty C.
Verzo, Ronald V.
Villafania, Santiago
Villasis, Enrique S.
Yabes, Criselda D.
Yumul, Aurora Veronica D.
Yuson, Alfred A.
Zafra, Galileo S.

Local and Foreign Publishers
A-Z Direct Marketing
Adarna House, Inc.
ambitgoya Books Enterprises
Anvil Publishing
Ateneo Press
C & E Publishing
Cacho Publishing House
Cambridge University Press
Central Books
Claretian Communications Foundation, Inc.
Don Bosco Press Inc.
Ilaw ng Tahanan Publishing, Inc.
Lampara Publishing
National Book Store
New Day Publishers
Precious Pages
Shepherd's Voice Publications, Inc.
St. Mary's Publishing Corp.
UP Sentro ng Wikang Filipino
UST Press
Vibal Publishing

Book Industry Association
Book Development Association of the Philippines